Bibliografia

1949 The Certosa of Pavia and the Renaissance in Milan, in «Marsyas», V, 23-37.
Ars Sine Scientia Nihil Est: Gothic Theory of Architecture at the Cathedral of Milan, in «The Art Bulletin», XXXI, pp. 84-111.
1951 Bramante and the Torre Borgia, in «Pontificia Accademia di Archeologia, Rendiconti, XXV, XXVI», pp. 247-265.
The Belvedere as a Classical Villa, in «Journal of the Warburg and Courtauld Institutes», XIV, pp. 60-91.
1954 The Cortile del Belvedere, Vatican City.
Tradition and the Future of Architecture, in «California Monthly», XLIV, April, pp. 42-44.
Architecture, Leon Battista Alberti, in Encyclopaedia Britannica, 14th Ed.
1955 Architectural Practice in the Italian Renaissance, in «Journal of the Society of Architectural Historians», XIII, 3, pp. 3-11.
California Buildings , University of California Department of Architecture, Limited Edition.
1956 Report on California, in «Architectural Review», CXX, 717, pp. 237-239.
1957 Marcus Aurelius on the Capitoline Hill, in «Renaissance News», X, pp. 69-75.
1958 Architecture; Leone Battista Alberti, in Encyclopaedia Britannica, 14th ed., rev.
On American Scholarship in the Arts, in «College Art Journal», XVII, 4, pp. 357-62.
1958 Art History and the Problems of Criticism, in «Daedalus», Winter, 253-263. Republished in: The Visual Arts Today, Middletown, 1960.
1959 Bramante Michelangelo, in Les architectes celèbres, II, Paris.
1961 The Architecture of Michelangelo, London/New York.
1962 Art and Archaeology (with Rhys Carpenter), Englewood Cliffs.
A Theory of Style, in «The Journal of Aesthetics and Art Criticism», XX, 3, pp. 227-237.
One Culture or None, in «Curren», 22, pp. 67-72.
Abstract Art and the Critics, in «Atlantic Monthly», Oct., pp. 73-78.
Reprinted by Graham Gallery; in «The Singer Corporation, American Journal», III, 1963, pp. 199-208.
1963 Art and Social Responsibility, in «Rhode Island School of Design Alumni Bulletin», Sept. pp. 2-5.
Sources of the Renaissance Villa, in «Proceedings of the Twentieth International Congress of the History of Art» (1961), Princeton, II, pp. 6-18.
1964 Palladio e l'architettura del '700 negli Stati Uniti; il Presidente Jefferson e il palladianismo americano, in «Bollettino del Centro Internazionale di studi d'architettura A. Palladio», VI, pp. 29-48.
1965 Della Porta's Gesù Altar, in Essays in Honor of WalterFriedlaender, New York, pp. 1-2.
Art and Evolution, The Nature and Art of Motion, ed. G. Kepes, New York, pp. 32-40.
Notes on Larsen Hall, in «Connection», Fall.
On Scientia, in «Daedalus», Winter, pp. 14-23.
The Future of Humanistic Studies in America, in Humanistic Scholarship in America, Princeton, pp. 12-15.
1966 Palladio, Harmondsworth. Preface, in «Harvard Art Review», I, Winter.
Editorial:Rx for Art Criticism, in «Art in America», Mar.-Apr.
Palladio's Vicenza: A Bird's-eye Plan of ca. 1571, in Studies in Renaissance and Baroque Art Presented to Anthony Blunt, London-New York, pp. 53-61.
1967 Palladio's Villas, New York.
Palladio's Lost Portico Project for San Petronio in Bologna, in Essays in the History of Architecture Presented to Rudolf Wittkower, London/New York, pp. 110-115.
Views of Florence by Giuseppe Zocchi, New York.
1969 Two Styles: A Challenge to Higher Education, in «Daedalus», Summer, pp.855-869.
Listening to Architecture, in «Harvard Educational Review», XXXIX, 4, pp. 4-20.
Concluding Remarks: Science and Art in the Works of Leonardo, in Leonardo's Legacy, Berkeley/Los Angeles, pp. 205-25.
The Demise of the Avant Garde: Notes on the Sociology of Recent American Art, in «Comparative Studies in Society and History», XI, pp. 371-384; reduced version in «L'Arte», VI, pp. 4-11.
Education of Vision, The Arts on Campus: The Necessity for Change, New York, pp. 63-80.
1972 The Gesù in the Light of Contemporary Church Design, in Baroque Art: The Jesuit Contribution, ed. I Jaffe and R. Wittkower, New York, pp. 15-28.
Toward a New Social Theory of Art, New Literary History, IV, pp. 315-330.
1973 The Arts in Higher Education, Content and Context, New York, pp. 219-266. Republished in «The Visva-Bharati Quarterly», 49, pp. 1-4, 1984, pp. 31-62 (issued 1987).
1974 Notes on Bramante's Bad Reputation, in «Studi bramanteschi», Rome, pp. 339-350.
Transactions in Architectural Design, in «Critical Inquiry», I, pp. 229-243.
1975 The History of Design and the Design of History, in «Psicon» 2/3, pp. 138-146 (Italian version).
Il contributo dell'Alessi alla tipologia della chiesa longitudinale, in Galeazzo Alessi e l'architettura del Cinquecento, Genoa, pp. 461-466.
1977 Palladio e lo sviluppo della concezione della chiesa a Venezia, in «Bollettino del Centro Internazionale di Studi di Architettura Andrea Palladio», XIX, pp. 9-26 (published 1980).
L'architettura religiosa veneta in rapporto a quella toscana del Rinascimento, Ibid., pp. 135-164.
Introduction to Wolfgang Lotz, in Studies in Italian Renaissance Architecture, Cambridge Mass., pp. xvii-xxiv.
Review-Article, Leonardo da Vinci, The Madrid Codices, in «Journal of the Society of Architectural Historians», XXXVI, 1977, 46ff.
1978 Palladio Revisited, in The John Williams Lawrence Memorial Lectures, Tulane University School of Architecture, New Orleans.
Introduction to Sebastiano Serlio, in On Domestic Architecture: The Sixth Book, New York/Cambridge.
Alberti's Light, in Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss, New York, pp. 1-27.
On Rereading 'Style' in «Social Research», 45, pp. 153-163.
Leonardo's Eye, in «Journal of the Warburg and Courtauld Institutes», XLI, pp. 108-146.
On Judging Art Without Absolutes, in «Critical Inquiry», V.
1979 Worldmaking and Practical Criticism, in «Journal of Aesthetics and Art Criticism», XXXIX, pp. 249-254.
Notes and Exchanges, in «Critical Inquiry», V, pp. 795-799.
1980 On Early Renaissance Color Theory and Practice, in «Studies in Art History: American Academy in Rome» I, pp. 11-38.
Observations on Renaissance Church Planning in Venice and Florence, in Florence and Venice, Comparisons and Relations, II, Florence, pp. 287-308.
The Cloisters of San Zaccaria, in John MacAndrew, Venetian Architecture of the Early Renaissance, Cambridge, pp. 554-559.
1981 The Arts Require Government Aid, in «Yale Alumni Magazine», Oct. issue.
La storia dell'architettura e l'architettura della storia, in «Spazio e società», IV, 14, pp. 25-37.
Dürer's Crab, in Ars Auro Prior: Studia Ioanni Bialostocki Sexagenario Dicata, Warsaw, pp. 291-95.
1982 The Geopolitics of Venetan Architecture in the Time of Titian, in Titian, His World and His Legacy, ed. David Rosand, New York, pp. 41-71.
In Memoriam, Wolfgang Lotz, in «Journal of the Society of Architectural Historians», XLI, pp. 5-6.
The Planning of Renaissance Rome, 1480-1580, in Rome in the Renaissance, The City and Its Myth, Binghamton, pp. 3-18.
1983 Palladio Revisited: Civic Architecture, in «Spazio e Società» VI, 21, pp. 8-19.
The Tuscan/Rustic Order: A Study in the Metaphorical Language of Architecture, in «Journal of the Society of Architectural Historians», XLII, pp. 15-34.
Palladio Revisited:The Churches, in «Spazio e Società», VI, 22, pp. 62-75.
Palladio Revisited: The Villas, in «Spazio e Società», VI, 23, pp. 8-19.
1984 Interpretation, Response: Toward a Theory of Art Criticism, Theories of Criticism, with M. A. Abrams, Washington D.C., Library of Congress.
The Faces of Palazzo Chiericati, in Interpretazioni veneziane: studi in onore di Michelangelo Muraro, Venice, pp. 213-220.
1985 Il paradigma della villa, in «Casabella», XLIX, pp. 53-65.
Early Renaissance 'Naturalism' and Scientific Illustration, in The Natural Sciences and the Arts (Acta Univer-sitatis Upsaliensis: Figura N..S., 22), Uppsala, pp. 1-17.
The Involvement of Artists in Renaissance Science, in Science and the Arts in the Renaissance, ed. John W. Shirley and F. David Hoeniger, Washington, The Folger Shakespeare Library.
1986 Why Classicism? , in «The Harvard Architecture Review», 5, 78f.
The Villa as Paradigm, in «Perspecta» 22, pp. 10-31.
Pellegrino Tibaldi, San Carlo Borromeo e l'architettura ecclesiastica del loro tempo, in San Carlo e il suo tempo: Atti del Convegno internazionale, Rome, pp. 574-86.
1987 Contribution to Seminar I: Transitional Periods, in «Harvard Architectural Review», VI, pp. 10-12.
Introduction to Michelangelo Muraro, in Venetian Villas: The History and Culture, Udine, pp. 7-8.
The Medici Villa in Fiesole, in 'Il se rendit en Italie: Etudes offertes à André Chastel, Rome, pp. 49-56.
1989 Renaissance, in International Encyclopedia of Communications, Philadelphia, III, pp. 447-452.
Social Stratification in Renaissance Urban Planning, with Myra Nan Rosenfeld, in Urban Life in the Renaissance, ed. Susan Zimmerman and Ronald F. E. Weissman, Newark, pp. 21-49.
The Visual Arts Collections: Manifold Resources, in The Invention of Photography and Its impact on Learning, Cambridge (Mass.), pp. 62-71.
Rudolf Wittkower's Influence on the History of Architecture, in «Source», VIII/IX, pp. 87-90.
An Interview with James S. Ackerman, by Ruth Wilford Caccavale and Allison Lee Palmer, in «Rutgers Art Review IX/X, 1988-89, pp. 69-81.
1990 Social Concern and Architectural Discourse, in «Places», 6, pp. 68-71.
The Villa: Form and Ideology of Country Houses, London/Princeton.
1991 Distance Points: Studies in Theory and Renaissance Art and Architecture, Cambridge (Mass.).
Richard Krautheimer: An Homage, in Rome: Tradition, Innovation and Renewal, ed. C. M. Brown, J. Osborne, W. C. Kirwin, Victoria, pp. 81-92.
Commentary to Part IV, City States in Classical Antiquity and Medieval Italy, ed. Anthony Molho et. al., Ann Arbor 1991, pp. 453-456.
Andrea Palladio: I quattro libri dell'architetura... Vision of a Collecter: The Lessing J. Rosenwald Collection in the Library of Congress, Washington, D.C., 325f.
1992 Revivals as Phenomema in History, Companion to Contemporary Architectural Thought, London/New York.
1993 Palladio: in che senso classico?, Centro Internazionale di Studi di Architettura, Vicenza. Republished in «Annali d'Architettura, 6, 1994, pp.11-22.
1994 On the Origins of Art History, in Studi in onore di Giulio Carlo Argan, Florence, 39-47.
Art Historian: James S. Ackerman. The U.C.L.A./Getty Center Oral History Project, Los Angeles.
The Regions of Italian Renaissance Architecture, in The Renaissance from Brunelleschi to Michelangelo: The Representation of Architecture, Milan, pp. 319-348.
Manfredo Tafuri: in Memoriam, in «Journal of the Society of Architectural Historians», 53, pp. 137-138; republished, in «Annali d'architettura, 6, pp. 11-22.
Disegni del Palladio per la facciata di San Petronio, in Una basilica per una città: sei secoli in San Petronio (Atti del Convegno di Studi per il Sesto Centenario di fondazione della Basilica di San Petronio, 1390-1990, 1, Bologna, pp. 251-269.
1995 Co-author, In Memoriam: Richard Krautheimer (1887-1994) in «Journal of the Society of Architectural Historians», 54, pp. 5-7.
Thomas Jefferson e l'Italia, in La virtù e la libertà, Turin, pp. 225-244.
On Public Landscape Design Before the Civil War, in Regional Garden Design in the United States, Therese O'Malley and Marc Treib, eds., Washington D.C. pp. 191-207.
1996 The Power of the Classical Tradition, 'Remove Not the Ancient Landmark':Public Monuments and Moral Values, ed. Donald M. Reynolds, n.p., pp. 21-26.
Daniele Barbaro and Vitruvius, in Architectural Studies in Memory of Richard Krautheimer, Cecil; L. Striker, ed., Mainz, pp. 1-6.
I volti del Palazzo Chiericati, in «Dimensioni del disegno» X, pp. 4-12.
1997 Richard Krautheimer's Method, in In Memoriam Richard Krautheimer, Rome, pp. 67-72.
Villard de Honnecourt's Drawings of Reims Cathedral: a Study in Architectural Representation, in «Artibus et Historiae», 35, pp. 41-50.
1998 Osservazioni sui progetti di chiese di Leonardo da Vinci, Vicenza, privately printed.
Villa Emo: Restrained Style and Noble Pleasures, in «Casabella», 62, no. 662/663, pp. 10-19.
Introduction, to Christof Thoenes, Sostegno e adornamento, Milan, pp. 6-10.
Italian Renaissance Architecture, in Oxford Encyclopedia of Aesthetics, ed. Michael Kelly, New York/Oxford.
1999 The Anticipation of Cinquecento Architecture in Church Designs by Leonardo da Vinci, in Studi di storia dell'arte in onore di Maria Luisa Gatti Perer, ed. Marco Rossi and Alessandro Rovetta, Milan, pp. 197-204.
2000 On Sculpture in the Context of Architecture, in MD+UL Art and Architecture: A Symposium Hosted by the Chinati FoundationMD-UL, April 25-26, 1998, Marfa, Texas, pp. 13-30.
Observations on Architectural Photography; On the Study of Early Medieval Art at Harvard, Before and After the End of Time: Architecture and the Year 1000, Cambridge.
Conventions of Architectural Drawing, North and South, in L’Europa e l’arte italiana, Max Seidel, ed. Venice, pp. 220-235.
Introduction: The Conventions and Rhetoric of Architectural Drawing, in Conventions of Architectural Drawing: Representation and Misrepresentation, James S. Ackerman and Wolfgang Jung, eds. (Cambridge, 2000) pp. 9-36.
2002 Origins, Imitation, Conventions, Cambridge (Mass.), 2000.